'The Outcasts of Poker Flat' is a short story by Bret Harte about a western town that has banished a group of improper people. Local color is first shown in the beginning of the story when Harte talks about the people that will be banished later on in the story. 'could scarcely have told from the equal peace that dwelt upon them which was she that had sinned.' See in text (The Outcasts of Poker Flat) The “white-winged birds” here are doves, typically associated with innocence, unity, and purity. The color white is often associated with similar characteristics. Regionalism and Local Color in Short Fiction. This story, set in a California mining town, was soon followed by his popular tale “The Outcasts of Poker Flat” (1870). Elements of Harte's. 1 Perspectives: The Fluidity of.

The Outcasts Of Poker Flat Regionalism And Local Color Definition
The Outcasts Of Poker Flat Regionalism And Local Color Book

Regionalism

Regionalism is a kind of literature that base or focus on one region and the culture inside it. We will get some knowledge about an ethnic group of people, their customs and cultures, their traditions, and the environment of a specific region they live in, when we read the regionalism.The regional writers study about a specific region that they are going to write by recording, celebrating, and mythologizing that particular region. The recording process includes the speech, mannerisms, behavior, and beliefs of the people in the location. Regionalism also includes local-color writing.Mark Twain and Bret Harte are two of the most powerful American regional writer.

Regionalism was popular in the late 1800s, during the Cold War. The regionalist writers including Mark Twain tried to record, celebrate, and mythologize the change of the American culture due to the arrival of the refugees.

The Outcasts Of Poker Flat Regionalism And Local Color Definition

The Outcasts Of Poker Flat Regionalism And Local Color Book

Local-color isthe shift toward interest in particular regions led to the movement. It is done by painting. Local colorists often tend toward the romantic and sometimes the sentimental. The colorful characters and situations in local-color writing can’t achieve without the use of the vernacular, the language spoken by the people in a particular locality.